La pregària del Diable (A TOT VENT-BETA) (Catalan Edition)
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Therefore, rehui might be a monosyllable, a dissyllable, or a trisyllable. Other combinations of three vowels may be analyzed in a similar way, as may also combinations of more than three vowels, e. Synalepha Between the contiguous vowels of separate words there may occur synalepha which corresponds to diphthongization within a word , or hiatus which is similar to diaeresis within a word.
The union of two vowels diphthongal synalepha and the union of three vowels triphthongal syna- lepha are the most common. A pause due to a break in sense does not prevent synalepha.
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Mute h is disregarded in the verse and does not prevent synalepha. Synalepha takes place between two contiguous unaccented vowels belonging to separate words. Abrfunaetemidad, p. Synalepha occurs when the final vowel of the first word IS accented. Synalepha usually occurs when the initial vowel of the second word is accented, especially when the first word ends in a weak vowel, and also in the combinations aa, oa, 06, ea, 60, ee. Note : Synalepha is possible with the other combinations, but hiatus is preferable even with the above combinations, in a syllable on which the rhythmical accent falls see under Rhythmic Accent.
There is always triphthongal synalepha when a is the middle vowel ; or when or e is the middle vowel, except in the following combinations, aoa, aoo, , aea, aeo, oea, oeo.
There is never triphthongal synalepha when an accented weak vowel stands between two strong vowels. Therefore the conjunctions y and li prevent triphthongal synalepha. There may be triphthongal synalepha when i y is the middle vowel, if u precedes it, or i follows it. When u is the middle vowel there may be synalepha if i follows it. The construction is very rare.
There is no synalepha with a word beginning with hue. In the following cases the groups of vowels which would usually make triphthongal synalepha are pronounced in tH'O syllables : i When the first word of the group ends in two vowels which do not form a diphthong. If the accented vowel is not in a constituent syllable syna- lepha may occur. Que lugar la codicia aun no tenia, Ercilla.http://coolsleep-tokyonishikawa.jp/wp-content/17-miglior-prezzo-zithromax.php
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HIATUS Hiatus is most frequently found between words having a close syntactical relation, particularly if the initial vowel of the second word is in a constituent syllable. Hiatus is most likely to occur when the accented vowel is the initial vowel of the final word in a phrase or verse, or of a word that has a strongly accented position in the verse ; as, for example, when the syllable is the next to the last syllable in a verse, or is the fourth or eighth syllable of a hendeca- syllabic verse of the second class.
In the above-mentioned case, the phrase de oro is usually joined by synalepha. Hiatus is, however, sometimes observed in this phrase. When both vowels are accented hiatus is more common than synalepha, even though there is no close syntactical rela- tion, although the vowels may be joined by synalepha if they do not come in a constituent syllable. Words have an accent of their own and another stronger accent on account of their position in a verse.
Guide La pregària de la porta (Catalan Edition)
This extraordinary accentual stress, which strengthens peri- odically certain naturally accented syllables of a verse, is known as rhythmic accent It plays somewhat the same role as did quantity in Latin verse. All other accents and pauses in the verse are subservient to the rhythmic accent. Spanish verse being accentual, however, and not quantita- tive, the terms used to determine the regular recurrence of long and short syllables in Latin verse are not very applicable to it, and few compositions are regular in the arrangement of the stress.
Latin terms of versification applied to Spanish verse As Latin terms of versification are sometimes applied to Spanish verse, the following rules may be helpful. A trochaic octosyllabic line, for example, substituting stress for quantity, would be scanned with the stress on the first, third, fifth, and seventh syllables.
This construction is sometimes followed in lines of twelve syllables p. This is sometimes found in ten-syllable lines p. Spanish verse endings An accented word is called aguda when it has the accent on the last syllable, e. In a verso agudo the last syllable counts for two syllables.
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The distribution or rhythmic accents In verses of different length there are different rules with regard to the distribution of accents, but the following general rules should be observed. Every verse must be accented upon the syllable nominally preceding the final syllable. Note ; It should be borne in mind that the actual final syl- lable in a verso agudo counts as two syllables, and that the next to the last actual syllable in a verso esdrujulo does not count.
Besides the necessary accent on the next to the last syl- lable, all verses of seven syllables or more must have other necessary accents, which are determined by the number of syllables in the line. The syllable directly preceding the one that has the rhythmical accent should never be accented, for it obstructs the proper accentuation of the constituent syllable.
A syllable so accented is called obstruccionista, D. The number of syllables in Spanish verse Spanish verse may consist of any number of syllables from two up to sixteen.
All must have an accent on the next to the last syllable. There can be no supernumerary accents. Trisyllabic Verse : A verse of three syllables can have no supernumerary accent, for the accent would be obstruccionista. Suspira, 3. Tetrasyllable Verse : A verse of four syllables must have an accent on the third syllable. There may or may not be a supernumerary accent on the first. De ese brio.
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Pentasyllable Verse: A verse of fivt syllables must have an accent on the fourth. It may or may not have a supernumerary accent on the first or second syllable. Adonic verse is a pentasyllable with necessary accents on the first and fourth syllables. Cifiro blando. Hexasyllabic Verse : A verse of six syllables must have an accent on the fifth. There may or may not be supernumerary accents, but never on the fourth syllable. Heptasyllabic Verse : A verse of seven syllables must have an accent on the sixth, and at least one other necessary accent, which may be on any syllable except the fifth.
Octosyllabic Verse : A verse of eight syllables must have an accent on the seventh, and at least one other accent, which may fall on any syllable except the sixth. Hendecasyllabic verse : There are two classes of hendeca- syllables. First Class : Verses of eleven syllables which have the sixth syllable and the tenth syllable stressed are hendecasyllables of the first class. Second Class: Hendecasyllables of the second class are eleven-syllable verses with the accent on the fourth, eighth, and tenth syllables.
There may be accents on other syllables, provided that they be not obstruccionislas. If it is difficult to classify a hendecasyllable because it has accents on the fourth, sixth, eighth, and tenth syllables, one must decide on the prominence of the accents from pauses, or from emphasis. The accent on the sixth is, then, not constituent, but supernumerary.
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All meters thus far have a. Obligatory constituent accents. Facultative supernumerary accents. The dissyllable is the only exception. The facultative accent is opposed to the regular recurrence in each line of dissyllabic and trisyllabic elements, which ele- ments caused the rhjrthm of Latin verse. Verses of ten or twelve syllables, however, lend themselves more readily to rhythm from regularly recurring stress. Dodecasyllabic Verse: A verse of twelve syllables, with the stress on the second, fifth, eighth, and eleventh syllables, makes a dodecasyllable of amphibrachs.
This dodecasyllable has a short metrical pause after the sixth syllable, and a longer one after the twelfth.